Architecture is only a movie

After the age of architecture-sculpture we are now in the time of cinematographic factitiousness; literally as well as figuratively, from now on architecture is only a movie; an un-habitual motility is successor to the habitudes of the city, become an immense darkroom for the fascination of the mobs, where the light of vehicular speed (audiovisual and automobile) renews the glare of solar light; the city is no longer a theatre (agora, forum) but the cinema of city lights: they've returned to Ur (Our, light), believing now that the desert is without horizon.

Paul Virilio, The Aesthetics of Disappearance (Semiotext(e), 1991) p. 65