All speech is violence

All speech is violence, a violence all the more formidable for being secret and the secret center of violence; a violence that is already exerted upon what the word names and that it can name only by withdrawing presence from it – a sign, as we have seen, that death speaks (the death that is power) when I speak. At the same time, we well know that when we are having words we are not fighting. Language is the undertaking through which violence agrees not to be open, but secret, agrees to forgo spending itself in a brutal action in order to reserve itself for a more powerful mastery, henceforth no longer affirming itself, but nonetheless at the heart of all affirmation.

Maurice Blanchot, The Infinite Conversation (Minnesota University Press, 2008) p. 42

Diverging equity

He remembered Alejandra and the sadness he'd first seen in the slope of her shoulders which he'd presumed to understand and of which he knew nothing and he felt a loneliness he'd not known since he was a child and he felt wholly alien to the world although he loved it still. He thought that in the beauty of the world were hid a secret. He thought that the world's heart beat at some terrible cost and that the world's pain and its beauty moved in relationship of diverging eqity and that in this headlong deficit the blood of multitudes might ultimately be exacted for the vision of a single flower.

Cormac McCarthy, All The Pretty Horses (Picador, 2010) pp. 289-290

Lidelsen att uppfostra världen

Men också lidelsen att förbättra andra och uppfostra världen måste man bli herre över.  Så är tillvaron beskaffad att ädla andars lust att göra historia liksom alla andra drifter slutar i blod och våld.

Sven Lindqvist, Myten om Wu Tao-tzu (Månpocket, 2013) p. 76

Om du då träffar en man som frågar dig om det är en spade du bär på axeln, då ska du svara ja och börja gräva i jorden med åran. Då finner du kanske lycka, Lyckan kanske är nergrävd just på den platsen. Då kanske du kommer ut ur din ensamhet och till varelser som gräver i marken med enkla spadar efter lyckan och som inte gräver efter Lyckan med svärd eller lans i andra mänskors kroppar. Då kanske du blir en alldeles ny mänska, den allra första av en ny sort.

Eyvind Johnson, Strändernas svall (Albert Bonniers Förlag. 2004) p. 149

The construction of a new city within and in opposition to an existing one amounts to an act of renunciation and even of violence, more lasting in its effects than those achieved by the gun. One need only compare the changes made to cities by modern warfare and by modern architecture to confirm this idea. The process of changing from one type of order to another is always violent. Over time, architecture can be the most potent weapon of change.

 Lebbeus Woods, 'Underground Berlin' in ANARCHITECTURE: Architecture is a Political Act (Academy Editions, 1992) p. 50