If nature is like art

But if nature is like art, this is always because it combines these two living elements in every way: House and Universe, Heimlich and Unheimlich, territory and deterritorialization, finite melodic compounds and the great infinite plane of composition, the small and large refrain.

Gilles Deleuze and Félix Guattari, 'Percept, Affect, Concept' in Animals (Whitechapel Gallery Ventures Limited, 2016) p. 114

Perhaps art begins with the animal

Perhaps art begins with the animal, at least with the animal that carves out a territory and constructs a house (both are correlative, or even one and the same, in what is called a habitat). The territory-house system transforms a number of organic functions – sexuality, procreation, aggression, feeding. But this transformation does not explain the appearance of the territory and the house; rather it is the other way around: the territory implies the emergence of pure sensory qualities, of sensibilia that cease to be merely functional and become expressive features, making possible a transformation of functions.

Gilles Deleuze and Félix Guattari, 'Percept, Affect, Concept' in Animals (Whitechapel Gallery Ventures Limited, 2016) p. 112